Claire Duncanâs âlove-letter to music on the marginsâ punctures the romantic view of the touring musician (with withering narration playing over images of rural backwaters) while simultaneously affirming the virtues of self-expression, and the special transience of live performance. Featured are interviews and arresting performances from some of NZâs most singular new artists: Seth Frightening, i.e. crazy (the directorâs musical alias) and Girls Pissing On Girls Pissing.
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