The film recounts Carlo Giulianiās day of July 20 and, parallel to it, the July 20 of the march of the ādisobedientsā, or the āwhite overallsā, among whose ranks Carlo died. An individualās story is told in all its absolute concreteness, the friends he meets, the snack bar he goes to for a bite, the roll of scotch tape he picks up on the street; whereas a multitudeās story is told in all its epic tragedy, the night under the rain, the colossal preparation against the march, the advance behind shields, the attack of which the multitude was victim, the defense that gets organized.
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