âThe film is in three parts, each one exploring the fragmentary experience of perception by resorting to various forms of temporal and spatial dislocation. âConcrete Fallâ and âFergus Walkingâ are both filmed from a moving viewpoint, and the camera motion is âconvertedâ through simple editing and printing procedures to register subtle depths in space, the layering between foreground and infinity. In âPacketed Passagesâ I filmed with two synchronized cameras and fused the two views in the printing stage into one disintegrated screen space.â â William Raban
No reviews found...