"Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the filmstrip. The scratches, however, emerge as dust particles that submerge in and out of the mist. A comparative piece to Larry Gottheim's Fog Line (1970), Kiri shows rare patience in such a situation." -Julian Ross.
No reviews found...
OR
Enter your username and email (the password will be emailed to you):
