Stan Brakhage is one of the most influential filmmakers in American avant-garde cinema, noted for his unflinching social commentaries and technical innovations. Over his nearly 40-year career, he has made over 200 films of varying length. He made his first film, Interim (1952) at age 18 after dropping out of college. Brakhage films seek to change the way we see. They encourage viewers to eschew traditional narrative structure in favor of pure visual perception that is not reliant on naming what is seen; rather his goal is to create a more visceral visual experience, for he believes that a "stream-of visual-consciousness could be nothing less than the pathway of the soul." To this end, his films are shot in highly sensual colors and utilize minimal soundtracks.
His work can be divided into distinct periods. His first short films explored the properties and possibilities of light. In many of his experimental ventures, Brakhage has forgone traditional cinematography in favor of working directly with the film stock itself. He has occasionally painted, inked, scratched and dyed images onto it; he has also tried pasting organic objects on the film. His most famous example is the 1963 short Mothlight in which he glued moth wings onto the stock. Some of his early films were based on his most intimate experiences that included making love to his new bride--depicted on negative film--in Wedlock House: An Intercourse (1959), and an attempt to bring his dead dog back to life with a camera in Sirius Remembered (1959). During the 1960s, Brakhage's iconoclastic views were celebrated for their poetry, but during the '70s, his focus changed to social issues and he alienated many supporters with such disturbing film series as the "Pittsburgh documents" in which he presented many gruesome views of inner city life with films such as Act of Seeing with One's Own Eyes (1971) which was shot in a morgue. He also continued with autobiographical material with the "Sincerity/Duplicity series. During the 1980s, Brakhage's focus again changed--this time he became intrigued with creating truly "abstract" films such as Arabics (1982) which consists of brilliant bursts of colored light which he claims, represent "envisioned music." In addition to filmmaking, Brakhage also wrote books about films and filmmaking and also served as a teacher.
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We move back and forth between scenes of a family at home and thoughts about the stars and creation....
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Time-lapse photography of books, paintings, reflections, and light falling on textures, shot entirel...
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The "star", as it is singular, is the sun; and it is metaphored, at the beginning of this film, by t...
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Four films in contemplation upon those events which are so centered upon one moment that chronology ...
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The film begins with the image of a dead bird. The mind moves to forget, as well as to remember: thi...
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The final Duplicity film does seem at resolve with the term. All previous visual manifestations have...
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Inspired in part by a dream he had of murdering his mother, Brakhage here gives us one of his profou...
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This film, photographed in London, is an exploration into the depths of unconscious reactions....
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A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a ...
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This is the twelfth film in the twenty-part Arabics series. Brakhage creates blurry visual fields th...
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"My moving-visual response to William Blake's "The Marriage of Heaven & Hell," this hand-painted fil...
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Part of Three Hand-Painted Films, Night Music (originally painted on IMAX) attempts to capture the b...
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Hand-painted — closed-eye — film envisioning optic feedback in response to sound. Collaborative soun...
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A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is...
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Phrases of Stephen Foster, set to music by Joel Heartling, are set to film in this autobiographical ...
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Visiting the famous Anasazi cliff dwellings in Colorado, abandoned about 1275, Brakhage thought, "Th...
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This is a film inspired by Gertrude Stein's "Stanzas In Meditation", in which the filmmaker has edit...
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This hand-painted work is easily the most minutely detailed ever given to me to do, for it traces (a...
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Photographing near Taos, New Mexico, where D.H. Lawrence lived, and in the room in which his ashes m...
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Brakhage begins here with Carlsbad Caverns as a stand-in for Plato's Cave and then responds to the p...
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A nostalgic envisionment of city living - the potential shards of memory seen as if always on the ve...
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Four superimposed rolls of hand-painted and bi-packed television negative imagery are edited so as t...
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The film is officially untitled, but is referred to by the dedication that appears in place of a tit...
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A hand-painted and photographically step-printed film, which exhibits variably shaped small areas of...
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Peripheral envisionment of daily life as the mind has it - i.e., a terrifying ecstasy of (hand-paint...
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A year and a half ago the filmmaker Nick Dorsky, hearing I was going to France, insisted I must see ...
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“This is a hand-painted film whose emotionally referential shapes and colors are interwoven with wor...
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The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in ...
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This film is entirely hand-painted and is composed of such an evolution of variably colored shapes t...
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This hand-painted, step-printed film begins with several seconds of blank white (interrupted by red ...
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Prelude 10 is a double-printed film with an extreme mixture of darks shot thru with jewel-like burst...
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"concrescence, principle of As a term from A.N. Whitehead's metaphysics refers to the drive things p...
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BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness various...
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Heading through Colorado Territory in search of gold and women, Alferd Packer and his group of bemus...
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Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupte...
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Singly-printed multi-colored watery "blobs" and "feathery" streaks of painted color, dominated by ye...
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Comingled Containers is an experimental short film by Stan Brakhage. "This 'return to photography' (...
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This film, a combination of hand-painting and photography, is a fulsome exposition of the themes of ...
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Flares of color break into streams of light, leaves, wood grain and prism-etched vegetation. A moon ...
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Reel #5 of (...) is composed of scratch-imagery edited to music by James Tenney. The music starts ac...
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Elaborate petal-like and multicolored flowers rising in white space until the whole field is as if c...
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Dark blood red slow shifting tones (often embedded in dark) / (often shot-thru with parallel wave-li...
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This hand-painted, step-printed film begins with streaks of light and vibrantly colored forms. Ther...
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Dark, fast-paced symmetry in mixed weave of tones moving from oranges & yellows to blue-greens, then...
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Multiple thrusts and then retractions of oranges, reds, blues, and the flickering, almost black, tex...
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This hand-painted and elaborately step-printed work begins with a flourish of reds and yellows and p...
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Sharp edged "chunks" of color set in black, straight, often multicolored, lines piercing shapes, imp...
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"Hot" by-play of reds-greens-yellows in black, blurred, finally, as the color shapes are shifted vio...
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A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde...
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Pale petal and stem-like shapes counter punted rhythmically by an even paler "background" of truly e...
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Very pale, thin, hieroglyphic pinks, greens and blues in a white space which is thickened over by ri...
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"Twigs" of color in space, and pure white "ghosts" of them in the background interspersed with dark ...
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Persian Series #11 begins with a "window" of yellow paint adrift in the full frame of multicolored p...
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Persian Series #6 begins with what appears to be dried red and yellow rose petals, suddenly shot-thr...
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Persian Series #18 is almost calligraphic in its overlays of dark (occasionally colored) glyphs back...
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Persian Series #15 is a rapid shift of patterns black & white playing off against muted coils of col...
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Persian Series #14 is composed of muted color-shapes shifting variably in juxtaposition and contrast...
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Persian Series #13 is a series of extremely dark images, mostly in purples, greens, and fiery red-or...
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Persian Series #16 is an even more exaggerated contrast of color and black-and-white patterning....
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Persian Series #17 is a series of quite distinct globules of paint brilliantly colored and shifting ...
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Documentary about the life of avant-garde filmmaker Maya Deren, who led the independent film movemen...
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Stan Brakhage's final film, made shortly before his death by wetting a filmstrip with saliva and usi...
More infoRecent movies
| # | Name | Character | Rating | |
|---|---|---|---|---|
| 1 | Chinese Series (2003) | Director / Writer | 6 | |
| 2 | In the Mirror of Maya Deren (2002) | Himself | - | - |
| 3 | SB (2002) | Director / Writer | 1 | |
| 4 | Persian Series #18 (2001) | Director / Writer | 3 | |
| 5 | Lovesong (2001) | Director / Writer | 2 | |
| 6 | Persian Series #15 (2001) | Director / Writer | 3 | |
| 7 | Persian Series #14 (2001) | Director / Writer | 2 | |
| 8 | Persian Series #13 (2001) | Director / Writer | 3 | |
| 9 | Persian Series #16 (2001) | Director / Writer | 3 | |
| 10 | Persian Series #17 (2001) | Director / Writer | 3 | |
| 11 | Persian Series #9 (2000) | Director / Writer | 3 | |
| 12 | Persian Series #12 (2000) | Director / Writer | 3 | |
| 13 | As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty (2000) | Self | - | - |
| 14 | Persian Series #8 (2000) | Director / Writer | 3 | |
| 15 | Persian Series #7 (2000) | Director / Writer | 3 | |
| 16 | Persian Series #10 (2000) | Director / Writer | 3 | |
| 17 | Persian Series #11 (2000) | Director / Writer | 3 | |
| 18 | Persian Series #6 (2000) | Director / Writer | 3 | |
| 19 | Persian Series #4 (1999) | Director / Writer | 3 | |
| 20 | Persian Series #5 (1999) | Director / Writer | 3 | |
| 21 | The Dark Tower (1999) | Director / Writer | 3.5 | |
| 22 | Persian Series #3 (1999) | Director / Writer | 3 | |
| 23 | Persian Series #2 (1999) | Director / Writer | 3 | |
| 24 | Persian Series #1 (1999) | Director / Writer | 3 | |
| 25 | "..." Reel 5 (1998) | Director / Writer | 2 | |
| 26 | Yggdrasill: Whose Roots Are Stars in the Human Mind (1997) | Director / Writer | 3 | |
| 27 | The Cat of the Worm's Green Realm (1997) | Director / Writer | 2 | |
| 28 | Prelude 10 (1996) | Director / Writer | 2 | |
| 29 | Concrescence (1996) | Director / Writer | 7 | |
| 30 | Beautiful Funerals (1996) | Director / Writer | 7 | |
| 31 | Cannibal! The Musical (1996) | Noon Sr. | 7.3 | |
| 32 | Prelude 14 (1996) | Director / Writer | 1 | |
| 33 | Prelude 9 (1996) | Director / Writer | 1 | |
| 34 | Prelude 13 (1996) | Director / Writer | 1 | |
| 35 | Prelude 8 (1996) | Director / Writer | 1 | |
| 36 | Comingled Containers (1996) | Director / Writer | 3 | |
| 37 | Prelude 6 (1995) | Director / Writer | 1 | |
| 38 | Prelude 5 (1995) | Director / Writer | 3 | |
| 39 | I Take These Truths (1995) | Director / Writer | 1 | |
| 40 | Prelude 2 (1995) | Director / Writer | 1 | |
| 41 | Prelude 3 (1995) | Director / Writer | 1 | |
| 42 | Prelude 4 (1995) | Director / Writer | 1 | |
| 43 | Prelude 1 (1995) | Director / Writer | 2 | |
| 44 | Earthen Aerie (1995) | Director / Writer | 4 | |
| 45 | Chartres Series (1994) | Director / Writer | 2 | |
| 46 | From: First Hymn to the Night – Novalis (1994) | Director / Writer | 2 | |
| 47 | Black Ice (1994) | Director / Writer | 3 | |
| 48 | The Mammals of Victoria (1994) | Director / Writer | 1 | |
| 49 | Study in Color and Black and White (1993) | Director / Writer | 2 | |
| 50 | Stellar (1993) | Director / Writer | 2 | |
| 51 | Boulder Blues and Pearls and... (1993) | Director / Writer | 2 | |
| 52 | Untitled (For Marilyn) (1992) | Director / Writer | 2 | |
| 53 | Crack Glass Eulogy (1991) | Director / Writer | 2 | |
| 54 | Delicacies of Molten Horror Synapse (1991) | Director / Writer | 2 | |
| 55 | Glaze of Cathexis (1990) | Director / Writer | 2 | |
| 56 | Visions in Meditation #4: D.H. Lawrence (1990) | Director / Writer | 2 | |
| 57 | Visions in Meditation (1990) | Director / Writer | 2 | |
| 58 | Visions in Meditation #3: Plato's Cave (1990) | Director / Writer | 2 | |
| 59 | Visions in Meditation #2: Mesa Verde (1989) | Director / Writer | 2 | |
| 60 | Visions in Meditation #1 (1989) | Director / Writer | 2 | |
| 61 | Rage Net (1988) | Director / Writer | 6 | |
| 62 | I... Dreaming (1988) | Director / Writer | 2 | |
| 63 | Loud Visual Noises (1987) | Director / Writer | 2 | |
| 64 | The Dante Quartet (1987) | Director / Writer | 2 | |
| 65 | Kindering (1987) | Director / Writer | 2 | |
| 66 | Night Music (1986) | Director / Writer | 6 | |
| 67 | Hell Spit Flexion (1983) | Director / Writer | 1 | |
| 68 | Unconscious London Strata (1981) | Director / Writer | 1 | |
| 69 | The Garden of Earthly Delights (1981) | Director / Writer | 2 | |
| 70 | Arabic Numeral Series 12 (1981) | Director / Writer | 1 | |
| 71 | Duplicity III (1980) | Director / Writer | 3 | |
| 72 | Murder Psalm (1980) | Director / Writer | 2 | |
| 73 | Burial Path (1978) | Director / Writer | 2 | |
| 74 | The Domain of the Moment (1977) | Director / Writer | 2 | |
| 75 | Desert (1976) | Director / Writer | 1 | |
| 76 | The Stars Are Beautiful (1974) | Director / Writer | 4 | |
| 77 | The Text of Light (1974) | Director / Writer | 1 | |
| 78 | Star Garden (1974) | Director / Writer | 2 | |
| 79 | Sexual Meditation: Open Field (1973) | Director / Writer | 3 | |
| 80 | The Wold-Shadow (1972) | Director / Writer | 3 | |
| 81 | The Process (1972) | Director / Writer | 2 | |
| 82 | The Act of Seeing with One's Own Eyes (1972) | Director / Writer | 6 | |
| 83 | The Riddle of Lumen (1972) | Director / Writer | 2 | |
| 84 | Sexual Meditation: Office Suite (1972) | Director / Writer | 3 | |
| 85 | Sexual Meditation: Faun's Room, Yale (1972) | Director / Writer | 3 | |
| 86 | Reality's Invisible (1972) | Self | 3 | |
| 87 | Sexual Meditation: Room with View (1971) | Director / Writer | 2 | |
| 88 | Deus Ex (1971) | Director / Writer | 1 | |
| 89 | The Machine of Eden (1970) | Director / Writer | 3 | |
| 90 | Sexual Meditation #1: Motel (1970) | Director / Writer | 5 | |
| 91 | Lovemaking (1968) | Director / Writer | 1 | |
| 92 | Scenes from Under Childhood, Section One (1968) | Director / Writer | 2 | |
| 93 | Diaries, Notes, and Sketches (1968) | Self | 8 | |
| 94 | 23rd Psalm Branch: Part I (1967) | Director / Writer | 5 | |
| 95 | 23rd Psalm Branch: Part II (1967) | Director / Writer | 5 | |
| 96 | 23rd Psalm Branch (1967) | Director / Writer | 2 | |
| 97 | Eye Myth (1967) | Director / Writer | 6 | |
| 98 | Pasht (1966) | Director / Writer | 2 | |
| 99 | Song 14 (1965) | Director / Writer | 2 | |
| 100 | Two: Creeley/McClure (1965) | Director / Writer | 2 | |
| 101 | Fire of Waters (1965) | Director / Writer | 2 | |
| 102 | Song 11 (1965) | Director / Writer | 2 | |
| 103 | Song 9 (1965) | Director / Writer | 2 | |
| 104 | Song 12 (1965) | Director / Writer | 2 | |
| 105 | Song 13 (1965) | Director / Writer | 2 | |
| 106 | Dog Star Man (1965) | Director / Writer | 1 | |
| 107 | Song 10 (1965) | Director / Writer | 2 | |
| 108 | The Art of Vision (1965) | Director / Writer | 2 | |
| 109 | Dog Star Man: Part III (1964) | Director / Writer | 5 | |
| 110 | Song 2 (1964) | Director / Writer | 2 | |
| 111 | Song 6 (1964) | Director / Writer | 2 | |
| 112 | Dog Star Man: Part II (1964) | Director / Writer | 5 | |
| 113 | Song 7 (1964) | Director / Writer | 2 | |
| 114 | Dog Star Man: Part IV (1964) | Director / Writer | 6 | |
| 115 | Song 4 (1964) | Director / Writer | 2 | |
| 116 | Song 3 (1964) | Director / Writer | 2 | |
| 117 | Song 8 (1964) | Director / Writer | 2 | |
| 118 | Song 5 (1964) | Director / Writer | 2 | |
| 119 | Dog Star Man: Part I (1963) | Director / Writer | 5 | |
| 120 | Mothlight (1963) | Director / Writer | 4.5 | |
| 121 | Prelude: Dog Star Man (1962) | Director / Writer | 4 | |
| 122 | Blue Moses (1962) | Director / Writer | 3 | |
| 123 | Thigh Line Lyre Triangular (1961) | Director / Writer | 3 | |
| 124 | The Dead (1960) | Director / Writer | 2 | |
| 125 | Cat's Cradle (1959) | Director / Writer | 3 | |
| 126 | Sirius Remembered (1959) | Director / Writer | 2 | |
| 127 | Wedlock House: An Intercourse (1959) | Director / Writer | 2 | |
| 128 | Window Water Baby Moving (1959) | Director / Writer | 4 | |
| 129 | Anticipation of the Night (1958) | Director / Writer | 4 | |
| 130 | Flesh of Morning (1956) | Director / Writer | 6 | |
| 131 | The Wonder Ring (1955) | Director / Writer | 3 | |
| 132 | Centuries of June (1955) | Director / Writer | 3 | |
| 133 | Reflections on Black (1955) | Director / Writer | 3 | |
| 134 | Desistfilm (1954) | Director / Writer | 2 | |
| 135 | The Way to Shadow Garden (1954) | Director / Writer | 6 |

