Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist and film director known for low-budget genre movies with controversial themes.
He was born Samuel Michael Fuller in Worcester, Massachusetts, the son of Benjamin Rabinovitch, a Jewish immigrant from Russia, and Rebecca Baum, a Jewish immigrant from Poland. After immigrating to America, the family's surname was changed from Rabinovitch to "Fuller" possibly by inspiration of a Doctor who arrived in America on the Mayflower. At the age of 12, he began working in journalism as a newspaper copyboy. He became a crime reporter in New York City at age 17, working for the New York Evening Graphic. He broke the story of Jeanne Eagels' death. He wrote pulp novels and screenplays from the mid-1930s onwards. Fuller also became a screenplay ghostwriter but would never tell interviewers which screenplays that he ghost-wrote explaining "that's what a ghost writer is for".
During World War II, Fuller joined the United States Army infantry. He was assigned to the 16th Infantry Regiment, 1st Infantry Division, and saw heavy fighting. He was involved in landings in Africa, Sicily, and Normandy and also saw action in Belgium and Czechoslovakia. In 1945 he was present at the liberation of the German concentration camp at Falkenau and shot 16 mm footage which was used later in the documentary Falkenau: The Impossible. For his service, he was awarded the Bronze Star, the Silver Star, and the Purple Heart. Fuller used his wartime experiences as material in his films, especially in The Big Red One (1980), a nickname of the 1st Infantry Division.
After his controversial film "White Dog" was shelved by Paramount pictures, Fuller moved to France, and never directed another American film. Fuller eventually returned to America. He died of natural causes in his California home. In November 1997, the Directors Guild held a three hour memorial in his honor, hosted by Curtis Hanson, his long time friend and co-writer on White Dog. He was survived by his wife Christa and daughter Samantha.
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After a film production wraps in Peru, an American wrangler decides to stay behind, witnessing how f...
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Sexy young nurses administer a special kind of therapy on their daily rounds as they battle a drug r...
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A small southern town has just been rocked by a tragedy: a young white woman has been raped by a bla...
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Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture fra...
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A veteran sergeant of World War I leads a squad in World War II, always in the company of the surviv...
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On location in Portugal, a film crew runs out of film while making their own version of Roger Corman...
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Anthropologist Joe Weber takes his son on a trip to the New England town of Salem's Lot, unaware of ...
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Documentary stems from 1945, when infantryman Sam Fuller, member of the U.S. Army's "Big Red One," h...
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An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film ...
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Danny Cornish, a sort of stateless man who arranges art exhibits, is called from Tel Aviv to Paris w...
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In 1952 Hollywood, aspiring singer/songwriter Aggie O'Hanlon is sentenced to life after being found ...
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Mercedes is a taxi dancer who wants to be an actress. She's involved with the married Harry, who con...
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In Hollywood, the lives of a successful film producer, his wife, a police detective and a surveillan...
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| # | Name | Character | Rating | |
|---|---|---|---|---|
| 1 | The End of Violence (1997) | Louis | 6 | |
| 2 | Girls in Prison (1994) | Director / Writer | - | - |
| 3 | Somebody to Love (1994) | Sam Silverman | - | - |
| 4 | Golem: The Petrified Garden (1993) | Sam | 3 | |
| 5 | Golem, the Spirit of Exile (1992) | Elimelek | 4 | |
| 6 | Falkenau, the Impossible (1988) | Samuel Fuller | 5 | |
| 7 | A Return to Salem's Lot (1987) | Van Meer | 5.6 | |
| 8 | White Dog (1982) | Director / Writer | 8.1 | |
| 9 | Hammett (1982) | Old Man in Pool Hall | 4 | |
| 10 | The State of Things (1982) | Joe | 8 | |
| 11 | The Big Red One (1980) | Director / Writer | 6.5 | |
| 12 | 1941 (1979) | Interceptor Commander | 6.1 | |
| 13 | The American Friend (1977) | The American | 7.2 | |
| 14 | The Klansman (1974) | Director / Writer | 4 | |
| 15 | The Young Nurses (1973) | Doc Haskell | - | - |
| 16 | The Last Movie (1971) | Sam | 5 | |
| 17 | Shark (1969) | Director / Writer | 4 | |
| 18 | Targets (1968) | Director / Writer | 4.5 | |
| 19 | Pierrot le Fou (1965) | Samuel Fuller (uncredited) | 3.7 | |
| 20 | The Naked Kiss (1964) | Director / Writer | 9 | |
| 21 | Shock Corridor (1963) | Director / Writer | 5.3 | |
| 22 | Underworld U.S.A. (1961) | Director / Writer | - | - |
| 23 | Verboten! (1959) | Director / Writer | 5 | |
| 24 | The Crimson Kimono (1959) | Director / Writer | 6 | |
| 25 | China Gate (1957) | Director / Writer | 4 | |
| 26 | Run of the Arrow (1957) | Director / Writer | 4 | |
| 27 | Forty Guns (1957) | Director / Writer | 6.3 | |
| 28 | House of Bamboo (1955) | Director / Writer | 5 | |
| 29 | Hell and High Water (1954) | Director / Writer | 5 | |
| 30 | Pickup on South Street (1953) | Director / Writer | 6.7 | |
| 31 | Scandal Sheet (1952) | Director / Writer | 5 | |
| 32 | Fixed Bayonets! (1951) | Director / Writer | 6 | |
| 33 | The Steel Helmet (1951) | Director / Writer | 6.5 | |
| 34 | The Baron of Arizona (1950) | Director / Writer | 6 | |
| 35 | I Shot Jesse James (1949) | Director / Writer | 5 | |
| 36 | Shockproof (1949) | Director / Writer | 7 | |
| 37 | V-E +1 (1945) | Director / Writer | 5 | |
| 38 | Gangs of New York (1938) | Director / Writer | - | - |

