Deville started his filmmaking career in the late 1950s, paralleling the emergence of the French New Wave directors. He never achieved the level of critical and international recognition of some of his contemporaries such as François Truffaut, Jean-Luc Godard and Claude Chabrol, possibly because of his more conventional filmmaking style. Nevertheless, his films, especially his comedies from the 1970s and 1980s, were popular in his native France.
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A French diplomat is surveilled by a secret service to find a weakness for political control, his pr...
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A wealthy wife's affair with her daughter's guitar tutor is threatened when the tutor is attacked an...
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You're a provincial kid in Paris and suddenly you're the center of attention: Movie stars, famous di...
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Lucette and Edouard: Two lovers passionate about sex, money and life. He is a spoiled but penniless ...
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| # | Name | Character | Rating | |
|---|---|---|---|---|
| 1 | The Art of Breaking Up (2005) | Director / Writer | - | - |
| 2 | Son of Gascogne (1995) | Self | 3 | |
| 3 | Death in a French Garden (1985) | Director / Writer | - | - |
| 4 | Dossier 51 (1978) | Director / Writer | 4 | |
| 5 | Razzia (1955) | Director / Writer | 5 |

