Jeanne Moreau (January 23, 1928 – July 31, 2017) was a French actress, singer, screenwriter, and director.
She made her theatrical debut in 1947, and established herself as one of the leading actresses of the Comédie-Française. She began playing small roles in films in 1949 and eventually achieved prominence as the star of Lift to the Scaffold (UK)/Elevator to the Gallows (USA) (1958), directed by Louis Malle, and Jules et Jim (1962), directed by François Truffaut. Most prolific during the 1960s, Moreau continued to appear in films until her death in 2017, at the age of 89.
Moreau was the recipient of a CĂ©sar Award for Best Actress, a BAFTA Award for Best Foreign Actress and a Cannes Film Festival Best Actress Award for individual performances, and several lifetime awards.
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In 1999, a woman's life is forever changed after she survives a car crash with two bank robbers, who...
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Margaret is a shy, pale, middle-class Englishwoman who is reluctantly engaged to her older, twittish...
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Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he en...
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Four tales, each centered on a woman, journey inward to explore the enigmatic reality of their lives...
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Orson Welles' archives of unfinished/never released movies and the last years of his life from the p...
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Eight very different couples deal with their love lives in various loosely interrelated tales all se...
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Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to li...
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Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brou...
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A political drama centered around Israel's pullout from the occupied Gaza strip, in which a French w...
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Natanaël, seven, still doesn't know how to read. His eccentric old aunt bequeaths her house to his p...
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Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 6...
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The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent...
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As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the ...
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An immersive look at the eventful life and brilliant artistic career of visionary American jazz trum...
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| # | Name | Character | Rating | |
|---|---|---|---|---|
| 1 | Miles Davis: Birth of the Cool (2019) | Self - Actress (archive footage) | 3 | |
| 2 | They'll Love Me When I'm Dead (2018) | Self (archive footage) | 6 | |
| 3 | Magician: The Astonishing Life and Work of Orson Welles (2014) | Self - Actress (archive footage) | - | - |
| 4 | Venice 70: Future Reloaded (2013) | (voice) | 5 | |
| 5 | Visage (2009) | Jeanne | - | - |
| 6 | Eleanor's Secret (2009) | Aunt Eléonore (voice) | 9 | |
| 7 | To Each His Own Cinema (2007) | The old woman / Self (segment "Trois Minutes") | - | - |
| 8 | Disengagement (2007) | Françoise | 6 | |
| 9 | Time to Leave (2005) | Laura | 7 | |
| 10 | Akoibon (2005) | Madame Paule | - | - |
| 11 | Love Actually (2003) | Taxi Passenger at Marseille Airport (uncredited) | 7.4 | |
| 12 | EverAfter (1998) | Grande Dame | 7.3 | |
| 13 | I Love You, I Love You Not (1996) | Nana | 7 | |
| 14 | One Hundred and One Nights (1995) | Mr. Cinéma's First Ex-wife | - | - |
| 15 | Beyond the Clouds (1995) | Friend | 9 | |
| 16 | Orson Welles: The One-Man Band (1995) | Self (segment "The Deep") (archive footage) | - | - |
| 17 | The Clothes in the Wardrobe (1993) | Lili | - | - |
| 18 | The Lover (1992) | Narrator (voice) | 6 | |
| 19 | Until the End of the World (1991) | Edith Farber | 7.3 | |
| 20 | Nikita (1990) | Armande | 6.9 | |
| 21 | The Architecture of Doom (1989) | French narrator (voice) | 6 | |
| 22 | Querelle (1982) | Lysiane | 3 | |
| 23 | The Last Tycoon (1976) | Didi | 6 | |
| 24 | The Garden That Tilts (1975) | Maria | 6 | |
| 25 | The Little Theatre of Jean Renoir (1974) | The Singer (segment "Quand l'amour meurt") | 4 | |
| 26 | Going Places (1974) | Jeanne Pirolle | 8 | |
| 27 | Nathalie Granger (1973) | L'autre femme | 4 | |
| 28 | Repeated Absences (1972) | La voix de la nostalgie (voice) | 2 | |
| 29 | Monte Walsh (1970) | Martine Bernard | 5 | |
| 30 | The Immortal Story (1968) | Virginie Ducrot | 4 | |
| 31 | The Bride Wore Black (1968) | Julie Kohler | - | - |
| 32 | The Oldest Profession (1967) | Mimi Guillotine (segment "Mademoiselle Mimi") | 5 | |
| 33 | Mademoiselle (1966) | Mademoiselle | 4 | |
| 34 | Chimes at Midnight (1965) | Doll Tearsheet | 5 | |
| 35 | Viva Maria! (1965) | Maria II | 4 | |
| 36 | The Train (1964) | Christine | 7.7 | |
| 37 | Diary of a Chambermaid (1964) | Céléstine | 7 | |
| 38 | The Fire Within (1963) | Eva | 6 | |
| 39 | Jules and Jim (1962) | Catherine | 7.2 | |
| 40 | Eva (1962) | Eva Olivier | 7 | |
| 41 | The Trial (1962) | Marika Burstner | 7.5 | |
| 42 | A Woman Is a Woman (1961) | Self (uncredited) | - | - |
| 43 | La Notte (1961) | Lidia | 5.5 | |
| 44 | The 400 Blows (1959) | La Femme avec le chien | 7.8 | |
| 45 | Dangerous Love Affairs (1959) | Juliette Valmont | 7 | |
| 46 | Elevator to the Gallows (1958) | Florence Carala | 7.2 | |
| 47 | The Lovers (1958) | Jeanne Tournier | 6 |
