Fortunio Bonanova, pseudonym of Josep LluĂs Moll, (13 January 1895 – 2 April 1969) was a Spanish baritone singer and a film, theater, and television actor. He occasionally worked as a producer and director.
According to Lluis FĂ bregas Cuixart, the pseudonym Fortunio Bonanova referred to his desire to seek fortune, and his love of the Bonanova neighborhood in his native Palma.
As a young man, living under his birthname, he was a professional telegraph operator. He studied music with the Italian Giovachini. In 1921, he debuted as a singer in Tannhäuser, at the Teatre Principal in Palma. That year, along with a group of Majorcan intellectuals and Jorge Luis Borges (who was briefly living in Majorca with his parents and sister), he signed the Ultraist Manifesto, using the name Fortunio Bonanova.
Also in 1921, he appeared in a silent film of Don Juan Tenorio by the brothers Baños, which was shown the following year in New York City and Hollywood. He later directed his own Don Juan in 1924.
In 1927, he acted in Love of Sunya, directed by Albert Parker and starring Gloria Swanson. In 1932 he had small parts in Hollywood productions featuring Joan Bennett and Mary Astor. In the same period, he appeared in New York in several operas as well as the zarzuelas La CanciĂłn del Olvido ("The song of forgetting"), La Duquesa del TabarĂn ("The Duchess of TabarĂn"), Los Gavilanes, and La MonterĂa. In 1934, he returned to Spain, where he had a major role in the film El Desaparecido ("The disappeared one") written and directed by Antonio Graciani. In 1935 he acted and sang in the film Poderoso Caballero ("A Big Guy"), directed by MĂ ximo Nossik.
In 1936, with the outbreak of the Spanish Civil War, he returned to the United States, where he played the role of Captain Bill in a film called Capitán Tormenta, directed by Jules Bernhardt. A sequence of increasingly larger acting and singing roles mostly in English-language films followed, especially after 1940. Among his roles were Signor Matiste, Susan Alexander Kane's opera coach in Citizen Kane (1941); General Sebastiano in Five Graves to Cairo (1943); Don Miguel in The Black Swan (1942); Fernando in For Whom the Bell Tolls (1943); Sam Garlopis in Double Indemnity (1944); and a singing Christopher Columbus in Where Do We Go From Here?. He continued for the next several decades in a miscellany of character roles.
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Recent movies
| # | Name | Character | Rating | |
|---|---|---|---|---|
| 1 | An Affair to Remember (1957) | Courbet | 8 | |
| 2 | Kiss Me Deadly (1955) | Carmen Trivago | 8 | |
| 3 | New York Confidential (1955) | Senor | 5 | |
| 4 | The Moon Is Blue (1953) | Television Performer | - | - |
| 5 | Second Chance (1953) | Mandy, hotel owner | 4 | |
| 6 | Whirlpool (1950) | Feruccio di Ravallo | 4 | |
| 7 | Adventures of Don Juan (1948) | Don Serafino Lopez | 5 | |
| 8 | The Fugitive (1947) | The Governor's Cousin | 2 | |
| 9 | The Kneeling Goddess (1947) | - | 4 | |
| 10 | Mrs. Parkington (1944) | Signor Cellini | - | - |
| 11 | Double Indemnity (1944) | Sam Garlopis | 8.1 | |
| 12 | Going My Way (1944) | Tomaso Bozanni | 5.3 | |
| 13 | Five Graves to Cairo (1943) | Gen. Sebastiano | 5 | |
| 14 | For Whom the Bell Tolls (1943) | Fernando | 6 | |
| 15 | The Black Swan (1942) | Don Miguel (uncredited) | 5 | |
| 16 | Moon Over Miami (1941) | Mr. Pretto, the Hotel Manager | - | - |
| 17 | Blood and Sand (1941) | Pedro Espinosa | 4 | |
| 18 | Unfinished Business (1941) | Impresario | - | - |
| 19 | Citizen Kane (1941) | Signor Matiste | 7.8 | |
| 20 | Down Argentine Way (1940) | Hotel Manager | 4 | |
| 21 | The Mark of Zorro (1940) | Sentry (uncredited) | 5 |

