From Wikipedia, the free encyclopedia
Alfred Damon Runyon (October 4, 1880 – December 10, 1946) was an American newspaperman and short-story writer.
He was best known for his short stories celebrating the world of Broadway in New York City that grew out of the Prohibition era. To New Yorkers of his generation, a "Damon Runyon character" evoked a distinctive social type from the Brooklyn or Midtown demi-monde. The adjective "Runyonesque" refers to this type of character as well as to the type of situations and dialog that Runyon depicted. He spun humorous and sentimental tales of gamblers, hustlers, actors, and gangsters, few of whom go by "square" names, preferring instead colorful monikers such as "Nathan Detroit", "Benny Southstreet", "Big Jule", "Harry the Horse", "Good Time Charley", "Dave the Dude", or "The Seldom Seen Kid". His distinctive vernacular style is known as "Runyonese": a mixture of formal speech and colorful slang, almost always in present tense, and always devoid of contractions. He is credited with coining the phrase "Hooray Henry", a term now used in British English to describe an upper-class, loud-mouthed, arrogant twit.
Runyon's fictional world is also known to the general public through the musical Guys and Dolls based on two of his stories, "The Idyll of Miss Sarah Brown" and "Blood Pressure". The musical additionally borrows characters and story elements from a few other Runyon stories, most notably "Pick The Winner". The film Little Miss Marker (and its two remakes, Sorrowful Jones and the 1980 Little Miss Marker) grew from his short story of the same name.
Runyon was also a well-known newspaper reporter, covering sports and general news for decades for various publications and syndicates owned by William Randolph Hearst. Already famous for his fiction, he wrote a well-remembered "present tense" article on Franklin Delano Roosevelt's Presidential inauguration in 1933 for the Universal Service, a Hearst syndicate, which was merged with the co-owned International News Service in 1937.
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Apple Annie is an aging New York City fruit seller whose daughter Louise has been raised in a Spanis...
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Big Steve Halloway, gambler and proprietor of New York's Horseshoe Cabaret, is in desperate need of ...
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Former bootlegger Remy Marco has a slight problem with foreclosing bankers, a prospective son-in-law...
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Meek busboy Little Pinks is in love with an extremely selfish nightclub singer who despises and uses...
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Abbot and Costello must find a replacement for a woman's horse they accidentally killed after feedin...
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Daisy Kenyon is a Manhattan commercial artist having an affair with an arrogant and overbearing but ...
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In New York, a gambler is challenged to take a Salvation Army missionary to Havana, and unexpectedly...
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A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady...
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| # | Name | Character | Rating | |
|---|---|---|---|---|
| 1 | Pocketful of Miracles (1961) | Director / Writer | - | - |
| 2 | Guys and Dolls (1955) | Director / Writer | 6.3 | |
| 3 | Daisy Kenyon (1947) | - | 4 | |
| 4 | It Ain't Hay (1943) | Director / Writer | - | - |
| 5 | The Big Street (1942) | Director / Writer | 5 | |
| 6 | A Slight Case of Murder (1938) | Director / Writer | 5 | |
| 7 | Little Miss Marker (1934) | Director / Writer | 6 | |
| 8 | Lady for a Day (1933) | Director / Writer | 6 |

