Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).
Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.
Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
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An exploration of Jewish American identity in a multilayered portrait of the immigrant experience. A...
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Jack and Julie live in a bare Parisian flat. By day, they make love; by night, Jack is a taxi driver...
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The main character, Michèle, spends the hour discussing her views of life with some old and new frie...
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Ariane lives with Simon in his large Paris flat. Simon is obsessed with her: he wants to know everyt...
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From the Other Side is a haunting and minimalist documentary that explores the tragic realities of i...
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Akerman spends a month in Tel Aviv, in an apartment by the sea, contemplating childhood, family, and...
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In 1940s Malaysia, European merchant Kaspar Almayer is obsessed with finding a treasure to secure hi...
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Akerman films her mother Natalia, an elderly woman of Polish origin, in her Brussels apartment. For ...
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| # | Name | Character | Rating | |
|---|---|---|---|---|
| 1 | Porto (2017) | (voice) | 7 | |
| 2 | No Home Movie (2016) | Director / Writer | 1 | |
| 3 | Almayer's Folly (2012) | Director / Writer | 4.5 | |
| 4 | Guest (2011) | Self | - | - |
| 5 | Down There (2006) | Director / Writer | 4 | |
| 6 | From the Other Side (2003) | Director / Writer | 6 | |
| 7 | The Captive (2000) | Director / Writer | 4 | |
| 8 | Portrait of a Young Girl at the End of the '60s in Brussels (1994) | Director / Writer | 3 | |
| 9 | Night and Day (1991) | Director / Writer | 3 | |
| 10 | American Stories: Food, Family and Philosophy (1989) | Director / Writer | - | - |
| 11 | Seven Women, Seven Sins (1986) | Director / Writer | 6 | |
| 12 | Golden Eighties (1986) | Director / Writer | 7 | |
| 13 | She Spent So Many Hours Under the Sun Lamps (1985) | - | 4 | |
| 14 | The Eighties (1985) | Director / Writer | 5 | |
| 15 | Toute une nuit (1982) | Director / Writer | 2 | |
| 16 | News from Home (1977) | Director / Writer | 7 | |
| 17 | Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976) | Director / Writer | 1 | |
| 18 | ‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen (1974) | - | 5 | |
| 19 | Le 15/8 (1973) | Director / Writer | 5 | |
| 20 | Hotel Monterey (1973) | Director / Writer | 1 | |
| 21 | La chambre (1972) | Director / Writer | 3 | |
| 22 | The Beloved Child, or I Play at Being a Married Woman (1971) | Director / Writer | 4 | |
| 23 | Saute ma ville (1968) | Director / Writer | 3 |

